By the Dawn’s Early Light is more than a historical novel. It is a story about the universal human experience of leaving one life behind in the hope of building another—and about the family ties, sacrifices, memories, and acts of faith that endure across oceans and generations.
Rooted in my own family’s Polish immigrant history, the novel follows people navigating unfamiliar languages, cultures, work, separation, and the uncertainty of beginning again. As I explored our family story, I kept seeing echoes of other migrations: Vietnamese families fleeing by sea, and Latin American families making difficult journeys north. Their circumstances and histories are not identical, but the longing for safety, dignity, opportunity, and a future for the people we love is deeply familiar.
The book asks readers to look past the labels that so easily divide us. Immigration has often been met with suspicion, prejudice, and harsh judgment. Yet the people behind these journeys are not abstractions or headlines. They are parents, children, siblings, and neighbors carrying hopes and fears much like our own. I hope this story invites a little more understanding, common ground, and grace.
Its creation was itself a journey of more than thirty-five years. I began writing it when I was twenty-one, inspired by our family’s history and encouraged by the unfinished literary ambition of my Uncle Jerry. He shared a gift for writing and dreamed of writing the next great American novel. Life, as it often does, took him in another direction, and the story eventually passed to me. In my early twenties I completed a rough draft and saved it on a 3.5-inch floppy disk. I even imagined publishing under the name Spencer J. Foreman. That draft disappeared, and the years moved on. I married, became a father to four children, and focused on the work of living, providing, and raising a family.
When I returned to the novel, I rebuilt much of it from memory, supported by the research and historical records that the internet now makes easier to access and verify than they were in the early 1990s. The calling to write Honor His House, and what I learned through that experience, helped bring me back to this long-delayed promise.
I wish I had finished the book while my mother was still here. She passed away two years ago, and I carry the sadness that she did not get to see it completed. I am grateful, though, to be able to share it with my Aunt Carol, and to honor the family members whose stories helped shape it. This novel is, in many ways, a bridge between generations—and a reminder that the stories we inherit can become the stories we pass on.